Minneapolis, Minnesota duo Atmosphere are back for their 14th album. Consisting of Slug on the mic & Ant on the boards, they started as a trio from the beginning of their formation up to release of their critically acclaimed debut Overcast! building an independent empire with their Rhymesayers Entertainment label whether that be signing acts from Brother Ali to the late Eyedea or putting out their best bodies of work like God Loves Ugly or Sad Clown Bad Dub 9. So Many Other Realities Exist Simultaneously became their best in a while a couple years ago & Jestures looks to become more ambitious both thematically and it’s pacing sequenced in order of the alphabet.
“Asshole” begins by advising not to mistake his circle for repetition over a luxurious boom bap instrumental whereas “Baby” finds himself feeling drunk off a woman pleading for her not to play him. “Caddy” talks about personifying his cars in a personal way even though he’s not an enthusiast for motor vehicles just before “Daley” gives a daily dose of the Holy Ghost.
Evidence joins Atmosphere on “Effortless” talking about their fans wanting to see them do exactly what they do best as if they didn’t have to put any effort into it while “Furthermore” explains that people still have nightmares when they’re living in their dreams. “Grateful” brings a funkier vibe to the beat talking about the subject of gratitude while “Heavy Lifting” featuring Haphduzn suggests to let their legs do the hard work.
After the 127 second “Instrument” compositional interlude, “Jester” cloudily talks about the way Slug will possibly identify himself for all of eternity while “Kilowatts” featuring Kurious abstractly heads for the farthest limits together. “Locusts” talks about keeping his head up not trying to drown in the rain while “Mash” featuring Mike the Martyr, Musab & Muja Messiah brings the quintet together where the cops aren’t at.
“Neptune” starts the 2nd half of Jestures with some sampling to talk about nobody getting the message of Atmosphere’s music unless a connection is felt while the drumless “Ophidiophobia” dismisses the idea of a moral in favor of hope. “Past” talks about your future being nothing like the way it was previously while the experimental “Quicksand” admits to feeling like he’s sinking deeper the more he fights this trap.
We get a more tropical vibe on “Really” talking about having nothing better to do while the 78 second “Sean” reveals that Slug’s father named him after the late Sean Connery from the James Bond franchise. “Trying” soulfully sends a dedication to everyone who’re giving it all of their effort while the crooning “Used To” talks about moving like he’s driving on track these days.
“Velour” kicks off the final leg of the LP by recalling a series of conversations Slug has with a chick he can’t wait to see as soon as tour ends until traveling “Westbound” to go back in time over a rap rock instrumental. “XXX” talks about Rhymesayers being around for 3 decades already while the single “Yearning” tackles the universal ache for belonging. “Zorro” featuring Zoodeville finishes up with both parties confident of their own heartbeats making a mark.
Contemplating the way time shapes society & that even the dullest can be transformative, Atmosphere gets to the root of life’s complexities throughout Jestures capturing personal evolution without romanticizing the past or fearing the future. Ant’s rich production shifts from electro-glitch to somber drones & playful twang soundtracking Slug’s story of progress & building toward a future defined by resilience & creative clarity.
Score: 8/10