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This can be a model new collaborative mixtape from Key Largo, Florida emcee & Chapter 17 Records signee Darby O’Trill alongside C17’s founder/CEO & Psychopathic Records recording artist Ouija Macc. Each of whom have already established themselves within the underground, depraved shit scene at this level whether or not it’s Ouija changing into the label that runs beneath the streets’ greatest solo act previous to launching his personal subsidiary for Psychopathic and even Darby releasing his Chapter 17 debut Creek to widespread acclaim final summer season becoming a member of his Lyrikal Snuff Productionz providing Gully celebrating it’s 2-year anniversary on the finish of this month as his finest full-length. Coronella with Trizz final fall grew to become my favourite collab effort that Ouija has ever finished surpassing We Never Forgot with Baby E proper when C17 was established, however I had a sense Anemoia may outdo each of these.
“Kennel Cough” is a darkish entice opener calling out all of the juffs who be claimin’ they been round once they’ve by no means seen them round as soon as prior whereas “Wafflehouse Warlock” works on this vocal pattern combined with hi-hats speaking about being lifeless all their lives. “Darkmoon Talisman” brings a morbid entice ambiance to the desk because of Devereaux the demons of their heads can play hockey with their brains simply earlier than “Nugget Bowling” shoots for a ghostly strategy instrumentally going straight for the dome.
In the meantime on “Juggalunatic”, now we have Ouija & Darby going entice steel to go unhinged main into “Kidney Stones” talks about having the ability to promise one thing that you just don’t actually need over a bass-heavy entice beat with some bells. The Duke of the Wicked himself Violent J of the Insane Clown Posse seems as Anemoia’s solely characteristic on “The Timber Have Eyes” cautions to remain out the woods over a ghoulish Shaggytheairhead instrumental, however then “Sage Allergy” continues with a enjoyable banger about smokin’ till a motherfucker can’t see.
“Anemoians” makes a flip treading slower & cloudier waters understanding that each of them weren’t alone right here whereas “Want 2 Kill Somebody” delves additional into the commercial entice sound speaking about straight up homicide. “Corpse01dotMDL” to me appears like a little bit of a hyphy/entice fusion being concerning the shit they be yappin’ & having work to do slammin’ a hammer in your cranium repeatedly till it breaks whereas the 2nd single “Graveyard Shift” confesses to diggin’ these graves for days now over a demonic entice beat.
To begin the final leg of the album, “Jokaroholio” murkily rubs in your face that the joke’s on you in the long run whereas the lead single “Cobratoxin” is that this grisly entice jurnt refusing to belief anybody who isn’t 17in’ on this bitch. “Fear Warts” hops on prime of a sample-laced entice instrumental to not fear concerning the subsequent man whereas “Demise of a Summer time” admits to feeling burnt out & hopeless taking the cloudier route as soon as extra. “Crossing Over” alternatively finishes Anemoia with 1 final entice steel minimize being unable to go residence since they don’t have one.
Coronella solely got here out 7 months in the past being utterly not like every other collab challenge that Ouija has finished & Anemoia right here already reached if not surpassed the bar Coronella had set. And when you consider them being the one 2 present artists on C17 as of me penning this, it’s an exemplification of the Psychopathic subsidiary’s power. The chemistry between the each of them is extremely pure as they bounce over largely trap-oriented manufacturing with further components of entice steel & cloud rap thrown in.
Rating: 9/10
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