Detroit, Michigan lyricist & one of the finest in the underground currently Mickey Diamond is back with his 18th studio LP. Emerging at the beginning of this decade off the strength of his debut EP Bangkok Dangerous, the dude has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with his previous 17 albums alongside 7 EPs & a mixtape. Since 2022 however, Mickey has been consistent putting out some of the best material of his career thus far. This includes the Gucci Ghost series produced by Big Ghost Ltd., the Ral Duke-produced Oroku Saki EP, the Sadhugold-produced Death Threat$ album, the Camoflauge Monk-produced Capital Gains album, the outstanding Oroku Saki sequel Super Shredder & Gucci Gambinos. We recently got Diamond Cutter as well as Dolla $ign Diaries & Wolf Tickets, coming off the latter almost 2 months ago for the 2nd installment of this new trilogy.
“Shepherd’s Pie” begins with a drumless soul sample talking about him learning how to save money rather than chase it whereas “Big Bad Wolf” takes the boom bap route instrumentally so he can fuck up anyone who steps in his way. “Murda He Wrote” strips the drums once again talking about pulling up to shows with 10 of homies while “B22” soulfully talks about him shaking up the block consistently unlike those no one wants to collaborate with.
As for “Silence of the Lambs”, we have Diamond over some pianos mixed with kicks & snares letting the fear breathe again leaving the feds asking what happened to him during his break leading into “Rabbit Hole” bringing back the crooning sampling chops talking about his style being too flashy for the poor. “Matthew 7:15” eerily boasts of slitting throats using a Liquid Sword while “Business as Usual” continues the 2nd half talking about seeming cool up until everything comes down to the money.
“Cry Wolf” starts the 4th quarter bringing us more hardcore boom bap cautioning the whole community would take his side if anyone’s beefing with one of his while “When It Rains” soulfully talks about feeling the pain of his homie who’s been down bad. “False Profits” rawly makes it clear his purpose here is to challenge the greatest to ever do it & “Want You Back” ends by chopping up soul samples 1 last time talking about not being mad at a woman he was once in a relationship with.
It hasn’t even been a couple months since Wolf Tickets began The Wolf, The Sheep & The Goat trilogy shooting a buzzer beater in terms of how 2025 was musically & Black Sheep isn’t what many who’ve caught up with Mickey Diamond over the years would expect it to be topically. His lyricism is more focused towards his capability to tell stories centered around friendships, relationships, spirituality, conspiracy theories & politics accommodated in the way Big Ghost’s signature production style always has.
Score: 9/10