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Home»The Underground»Jae Skeese’s 5th EP “The Good Part” Prod. by Ill Tone Marks the Beginning of an Exciting Series (EP Review)
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Jae Skeese’s 5th EP “The Good Part” Prod. by Ill Tone Marks the Beginning of an Exciting Series (EP Review)

info@rapgriot.comBy info@rapgriot.comMarch 6, 2026No Comments2 Mins Read2 Views
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Jae Skeese’s 5th EP “The Good Part” Prod. by Ill Tone Marks the Beginning of an Exciting Series (EP Review)
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Here is the 5th extended play from Buffalo, New York emcee Jae Skeese. Starting in 2010 off his debut mixtape W.A.C.K. (Women, Alcohol, Cash & Kicks), it wasn’t until a decade later where he & 7xvethegenius gained wide exposure as the very first signees to Conway the Machine’s very own Drumwork Music Group. The Big Ghost Ltd.-produced 3rd EPAuthenticity Check & the sophomore effort Abolished Uncertainties both elevated Skeese’s popularity in the last couple years. Coming off the Superior-produced Testament of the Times & elevating from Ground Level though, coming off 40 Hours with the Ill Tone-produced Good Part.

“Paralysis” chops up a soul sample to get things going talking about feeling like nobody’s above him whereas “Accelerant” featuring Conway the Machine & Stove God Cook$ finds the trio aggressively going at the throats of those who got the game wrong. “Curt Menafee” featuring Cory Gunz goes for a summery direction instrumentally talking about putting it all on the line leading into “S.W.G.M. (See It, Want It, Got It, Mines)” end the 1st half by speaking of taking what’s his.

Fuego Base & Sule appear on “Raiden” kicking off the 2nd leg with all 3 of them aggressively talking about wanting the finer things closer in reach just before “Worldwide” featuring Talib Kweli & T.F links up so they can discuss how far they wanna take it musically. “Mua” hops over a victorious beat to talk about getting his cake up & winning in the biggest ways while “No After No” featuring Brother Tom Sos & Consequence finishes with each artist explaining that they never stopped chasing their goals after being counted out.

I completely understood what Jae Skeese was doing trying give lesser known local artists a bigger platform although I’m still on the fence with that EP over an entire year later, but The Good Part has to be my personal favorite project of his since Testament of the Times. From the penmanship to the higher profile guest appearances & Ill Tone’s production, it’s already been implied that they’re gonna make an entire series out of this & this inaugural entry checks off every box regarding why they should.

Score: 9/10





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