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Home»The Underground»Mi$tuh G Breaks Down the Price of Elevation From a “Bird’s Eye View” (EP Review)
The Underground

Mi$tuh G Breaks Down the Price of Elevation From a “Bird’s Eye View” (EP Review)

info@rapgriot.comBy info@rapgriot.comSeptember 5, 2026No Comments2 Mins Read7 Views
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Here we have the 2nd extended play from Sacramento, California emcee/producer Mi$tuh G. Emerging within the underground at the beginning of this current ongoing decade off the strength of his full-length debut G Files, I myself was subsequently introduced to his music in the summer of 2020 back when the whole world shut down as a result of the COVID-19 pandemic through his debut EP G.W.O. (G-World Order) conceptually revolving around all the events that had transpired at that point. He & Mak7teen brought Your Worst Nightmare to life a year later & coming off Keep It G back in 2024, he’s looking at things from a Bird’s Eye View.

“Thought It Was Over” after the titular intro hops on top of this nervous instrumental talking about shutting down any & all opposition whereas “Hatin’ on My Name” continues from there firing back at everyone who’s been disrespecting him. “Go” featuring Rayven Justice links up to talk about their desires of parting with naughty women while “B.T.A. (Bounce That Ass)” properly concludes the 1st half of Bird’s Eye View cooking up a decent strip club ballad.

The self-produced “Krown Me King” could most likely be my personal favorite track on the entire EP talking about never slowing down & taking the throne that’s rightfully his while “The 7th Letter” continues the 2nd leg proclaiming himself to be the big boss & never fallin’ off. “Kold as Me” winds down the last several minutes talking about nobody in his city being able to touch him lyrically just before “Family 1st” featuring Illa Jay & Mak7teen finds the trio rising above the dirt together.

A great bulk of this was conceived following Mi$tuh G’s recent experiences of backstabbing as well as broken loyalties & people smiling in his face despite praying on his downfall when he isn’t looking, which is why I’d consider Bird’s Eye View to be some of the most personal music he’s ever made. He’s painting a dark depicting of the price of elevation after realizing some of the closest people in our lives are the very reason some distance themselves out of necessity instead of making it personal.

Score: 8/10





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