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Home»The Underground»The Production on “Invisible Foosteps” is It’s Biggest Con Despite Chip Fu’s Rapping Abilities (EP Review)
The Underground

The Production on “Invisible Foosteps” is It’s Biggest Con Despite Chip Fu’s Rapping Abilities (EP Review)

info@rapgriot.comBy info@rapgriot.comMay 16, 2026No Comments2 Mins Read3 Views
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The Production on “Invisible Foosteps” is It’s Biggest Con Despite Chip Fu’s Rapping Abilities (EP Review)
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This is the 2nd solo extended play from Brooklyn, New York veteran Chip Fu. A member of the Fu-Schnickens, he would eventually put out a solo mixtape of his own 16 years earlier called Stop Playing & the sequel arrived roughly 32 months later. The Beginning of the Reckoning under Blaq Ink Entertainment in tandem with Fat Beats Records was a solid EP last summer & the highlights it had made me eager of where Invisible Footsteps would go next.

After the intro, we have the man himself welcoming us to the “Shell Down” except I feel like the trap instrumental is merely ok compared to the enjoyable lyricism whereas “Double Dutch” hooks up a more thunderous beat & flows that would make the heads of those unfamiliar with start spinning. Busta Rhymes later appears on “Have Mercy”, where both lyricists join forces over a boom bap instrumental so they can ask God to grant them lenience.

“MI-JOI” might be my least favorite track on Invisible Footsteps & that’s disappointing because I appreciate the positive messaging despite the execution of the dancehall sound while “Warning” featuring Shaquille O’Neal finds the 2 linking up to talk about those thinking they can fuck with them, assuring them they’re all sorely mistaken. “More Amor (Love)” finishes the EP fusing jazz rap, boom bap & pop rap for an ode to affection.

With all due respect to Chip Fu because I did enjoy his previous EP alongside his output with the Fu-Schnickens or guest appearances, Invisible Footsteps does have moments that I can see myself going back to since the verses as well as the flows & both guest appearances are on point. My main criticism I have towards this newer batch of material is that the production’s somewhat more inconsistent at times, which I find disappointing.

Score: 6/10





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