Detroit, Michigan emcee Salute da Kidd enlisting his Wisemen brethren Bronze Nazareth to produce his sophomore effort in its entirety. Joining the Wu-Tang Killa Beez offshoot with Phillie alongside Bronze & his late brother Kevlaar 7, they would later welcome Illah Dayz & June Megalodon to the group after their debut Wisemen Approaching for their 2nd & final album to date Children of a Lesser God. It’s already been a decade since we’ve visited Diggstown & da Kidd’s coming back after 13 years to reflect on how Time Heals All Wounds.
After the “Thaw” intro, the first song “Why?” makes his comeback official over a boom bap instrumental talking about losing a decade of his life in the penitentiary & the difficulty of being fair because life has never been that way whereas “Eastside Hustle” featuring Kurt Solid finds the 2 teaming up to describe what it was like trying to survive on the eastern parts of the Motor City.
Termanology appears during the chipmunk soul infused “Rock Magician” to talk about stacking the currency to stay current & after the “Way We Were” interlude, “Grandma’s Prayers” gives off a gospel boom bap vibe reflecting on the days he was counting down to his freedom leading into the late Kevlaar 7 posthumously appearing on “Black Roses” chopping up more soul samples referring to themselves as the rarest of jewels.
“For Ours for Hours” featuring Hollywood Dots the Oncelor sees the pair talking about time being precious & getting to work since it’s eternally ticking faster than we know it over a prominent vibraphone throughout the beat while “Aura Elite” featuring Bronze Nazareth himself & Wuzee joins forces over a boom bap instrumental with some pianos to discuss their distinctive atmospheres being amongst the greatest to ever done it.
38 Spesh saves one of my favorite features for “Bob & Weave” linking up so they can conquer the rap game together maintaining a boom bap sound while “Sliders” featuring June Megalodon & Recognize Ali unites all 3 of them to see who can go the hardest for almost 4 minutes with heavy pianos & Salute talking about not manning up during his incarceration.
“James Worthy” featuring HNIC Pesh rounds up Time Heals All Wounds’ final leg with a soulful boom bap crossover referencing the 3-time NBA Champion Big Game James of the Los Angeles Lakers while “Seldomville” introspectively talks about the only thing up he gives up now is prayers. The appropriately titled “Storm Survivor” finishes up the LP sampling an organ & throwing some final thoughts at us regarding his prison sentence.
Since Kevlaar’s been protecting Salute da Kidd’s spirit for over a decade, Bronze Nazareth comes off Funeral for a Dream fully produced by his childhood friend Apollo Brown to help his Wisemen family make Time Heals All Wounds the most special entry of both in his discography. Salute lyrically reflects on his time behind bars with the guests adding their own different perspectives to it & Bronze Nazareth’s boom bap production rivaling the 78% he did of Diggstown.
Score: 8/10